And they’ve released Rachel, Rachel (1968) on Blu-ray too, also mastered from a new 4K scan of the original camera negative. I want to shake Kevin Smith in frustration for the events that follow as it tugged on my heartstrings and was emotional than I expected, this is not what I expected to happen and I kind of prefer the ending of Clerks II. The cast this time around includes Brian O’Halloran (Jay and Silent Bob Reboot), Jeff Anderson (Zack and Miri Make a Porno), Trevor Fehrman (Clerks II), Austin Zajur (Scary Stories to Tell in the Dark), Jason Mewes (Dogma), Rosario Dawson (Rent) and more, with the majority offering quite solid and capable performances for the most part in each of their respective roles. I just kind of expect to see a wrinkled and gray haired Jay and Silent Bob, same with Randal Graves and Dante Hicks.

The best news of the whole thing was when someone asked Kevin about the infamous Prince footage from 22 years ago and he said that the director of OJ Made in America is doing an 8 part doc on Prince and that the footage Kevin shot was so amazing and so unlike anything that exists of Prince that it’s going to be the basis for an entire episode.For them, and for me personally, occasionally checking in with Dante and Randal has always been an enjoyable experience. Editor’s Update 9/29/22: Interestingly, I found this comment on Facebook from former ILM animator, VFX supervisor and film producer Peter Kuran, responding to Paramount’s statement: “The reason it would be blue would be theatrical IB tech prints are balanced for a carbon arc light source which is very yellow. As much as I like listening to Kevin just talk, I'm not paying all that money to sit thru this again and then get an abbreviated live show. Ten years after the original, slacker heroes Dante (Brian O’Halloran) and Randal (Jeff Anderson) have become “funployes” at Mooby’s fast food.

From Lionsgate UK, Clerks III – Kevin Smith’s comedic sequel and conclusion in the trilogy – will have a digital release on 14th November, followed by Blu-ray and DVD releases later on 26th December.

And indeed, Paramount’s 2005 DVD got the color right (albeit in 8-bit color, here’s another screen pic of the DVD). Theatrical Trailer Jeff Anderson as Randal, Brian O’Halloran as Dante, Kevin Smith as Silent Bob, Austin Zajur as Blockchain Coltrane and Trevor Febrman as Elias in Clerks III. years on from the film which launched Kevin Smiths career and View Askew Universe, we find ourselves coming full circle back to where it all began. But this time around, we’re dealing with the heaviest material that these characters have ever been put through. Filled with Smith''s unique ear for dialogue and insight into relationships, CHASING AMY offers a thoughtful, funny look at how perceptions alter lives, and how obsession and self-doubt skew reality.

This was certainly well known in the early 1950s when director Byron Haskin made the film, and in fact Chesley Bonestell—the world-renowned astronomical artist commissioned by the filmmaker to paint the planet and its landscape for the opening of the film—not only knew this, having worked with NASA and painted the planet many times by that point, in fact he did paint it correctly for the film.

The questioning of the 'Abandonment' by God/ Jesus; Dogma, and the conversion of righteous Christian characters to Satanism is humorous, as well as the total egotistical mindset of a director. Some fans may take issue with the overwhelming emotional aspect present at times, but most should applaud it for the most part, and only a couple of brief moments within feel somewhat unnatural in how they are approached, while the rest are anything but. There’s also an extended set of outtakes at the end featuring Michelle Buteau’s character, who is absolutely hilarious and frequently causes the other actors to blow their takes. This legendary indie film launched the career of Kevin Smith and won over both critics and audiences with its raw energy, outrageous comedy and a hip soundtrack.

It delivers a notably smooth and clean presentation that looks sharp and gorgeous in its display of everything from character details and facial features down to backgrounds and everything else onscreen and leaves little to be disappointed about during its duration. Whether it works tonally is another matter, but it’s so well done and so effective with astonishingly strong performances and visuals that it makes up for any of the film’s shortcomings. What I am saying is that maybe Clerks 3 will go into theaters in a limited capacity like Jay and Silent Bob Reboot did.

To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Not only do I think it's as good as the original CLERKS, there's parts of it that I think are better than the first film. Este es el típico experimento que se podría haber metido como disco de extras en el pack aniversario de los dos primeras.