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Lewis wrote, "The Narnian books are not as much allegory as supposal. Suppose there were a Narnian world and it, like ours, needed redemption. What kind of incarnation and Passion might Christ be supposed to undergo there?" [40] The Lion, The Witch, and the Wardrobe is an inspiring work that shows us how even in the darkest of days hope can prevail.
Is your current wardrobe looking a bit tired? Or perhaps your clothing collection has outgrown it? Maybe you've just moved house or moved to uni and realised your new place doesn't have built-in wardrobes? No need to panic - the Lyon Double Sliding Door Wardrobe is here to solve all your clothing storage problems! In 2012, Michael Fentiman with Rupert Goold co-directed The Lion, the Witch and the Wardrobe at a Threesixty 'tented production' in Kensington Gardens, London. It received a Guardian three-star review. [76] A 2004 U.S. study found that The Lion was a common read-aloud book for seventh graders in schools in San Diego County, California. [26] In 2005, it was included on TIME 's unranked list of the 100 best English-language novels published since 1923. [27] Based on a 2007 online poll, the U.S. National Education Association listed it as one of its "Teachers' Top 100 Books for Children". [28] In 2012, it was ranked number five among all-time children's novels in a survey published by School Library Journal, a monthly with a primarily U.S. audience. [29]
While Lewis is known today on the strength of the Narnia stories as a highly successful children's writer, the initial critical response was muted. At the time, children's stories being realistic was fashionable; fantasy and fairy tales were seen as indulgent, appropriate only for very young readers and potentially harmful to older children, even hindering their ability to relate to everyday life. Some reviewers considered the tale overtly moralistic or the Christian elements overstated attempts to indoctrinate children. Others were concerned that the many violent incidents might frighten children. [24] The Chronicles of Narnia: The Lion, the Witch and the Wardrobe". Box Office Mojo . Retrieved 25 April 2011. Hooper, Walter. "Lucy Barfield (1935–2003)". SEVEN: An Anglo-American Literary Review. Volume 20, 2003, p. 5. ISSN 0271-3012. "The dedication... was probably taken from Lewis's letter to Lucy of May 1949". This house of the Professor’s—which even he knew so little about— was so old and famous that people from all over England used to come and ask permission to see over it. It was the sort of house that is mentioned in guide books and even in histories; and well it might be, for all manner of stories were told about it, some of them even stranger than the one I am telling you now. And when parties of sightseers arrived and asked to see the house, the Professor always gave them permission, and Mrs. Macready, the housekeeper, showed them round, telling them about the pictures and the armor, and the rare books in the library. Mrs. Macready was not fond of children, and did not like to be interrupted when she was telling visitors all the things she knew. She had said to Susan and Peter almost on the first morning (along with a good many other instructions), “And please remember you’re to keep out of the way whenever I’m taking a party over the house.” “Just as if any of us would want to waste half the morning trailing round with a crowd of strange grown-ups!” said Edmund, and the other three thought the same. That was how the adventures began for the second time. A few mornings later Peter and Edmund were looking at the suit of armor and wondering if they could take it to bits when the two girls rushed into the room and said, “Look out! Here comes the Macready and a whole gang with her.” “Sharp’s the word,” said Peter, and all four made off through the door at the far end of the room. But when they had got out into the Green Room
After an air raid during World War II, the Pevensie children ( Peter, Susan, Edmund, Lucy) are evacuated from London to the country home of Professor Kirke. Dorsett, Lyle (1995). Mead, Marjorie Lamp (ed.). C. S. Lewis: Letters to Children. Touchstone. ISBN 978-0-684-82372-0. [ when?] [ full citation needed] The high-quality doors are quiet and easily glide along with their frame, offering the benefit of increased space, instead of clunky-hinged alternatives. You also have the option of a 2 or 3-door wardrobe, depending on its size – super handy for those with limited space. Rachael Henley (Henley's real-life sister) as Adult Lucy Pevensie, who has grown up as a queen in Narnia.surprise for them. Just bring them along to the two hills—a clever boy like you will easily think of some excuse for doing that—and when you come to my house you could just say ‘Let’s see who lives here’ or something like that. I am sure that would be best. If your sister has met one of the Fauns, she may have heard strange stories about me—nasty stories that might make her afraid to come to me. Fauns will say anything, you know, and now—” “Please, please,” said Edmund suddenly, “please couldn’t I have just one piece of Turkish Delight to eat on the way home?” “No, no,” said the Queen with a laugh, “you must wait till next time.” While she spoke, she signaled to the dwarf to drive on, but as the sledge swept away out of sight, the Queen waved to Edmund, calling out, “Next time! Next time! Don’t forget. Come soon.” Edmund was still staring after the sledge when he heard someone calling his own name, and looking round he saw Lucy coming toward him from another part of the wood. “Oh, Edmund!” she cried. “So you’ve got in too! Isn’t it wonderful, and now—” “All right,” said Edmund, “I see you were right and it is a magic wardrobe after all. I’ll say I’m sorry if you like. But where on earth have you been all this time? I’ve been looking for you everywhere.” “If I’d known you had got in I’d have waited for you,” said Lucy, who was too happy and excited to notice how snappishly Edmund spoke or how flushed and strange his face was. “I’ve been having lunch with dear Mr. Tumnus, the Faun, and he’s very well and the White Witch has done nothing to him for letting me go, so he thinks she can’t have found out and perhaps everything is going to be all right after all.” “The White Witch?” said Edmund; “who’s she?” “She is a perfectly terrible person,” said Lucy. “She calls herself the Queen of Narnia though she has no right to be queen at all, and all the Fauns and Dryads and Naiads and Dwarfs and Animals—at least all the good ones—simply hate her. And she can turn people into stone and do all kinds of horrible things. And she has made a magic so that it is always winter in Narnia—always winter, but it never gets to Christmas. And she drives about on a sledge, drawn by reindeer, with her wand in her hand and a crown on her head.” During a game of hide-and-seek, Lucy discovers a wardrobe and hides inside, only to find that she has entered a magical winter world. Lucy finds a lamppost and encounters a faun named Mr. Tumnus, who invites her to his home and tells her she is in Narnia. Tumnus puts Lucy to sleep by playing a flute lullaby, and when Lucy wakes up, he explains that the White Witch cursed Narnia to eternally experience winter and never Christmas; any humans encountered are to be brought to her. Tumnus instead sends Lucy home, where she finds hardly any time had passed, and her siblings disbelieve her story due to the normal state of the wardrobe. Michael Ward (2008), Planet Narnia: the seven heavens in the imagination of C.S. Lewis, Oxford University Press, ISBN 978-0-19-531387-1. Jim Broadbent as Professor Digory Kirke, an old professor. He lets the children stay at his country estate during the war.
Walker-Cook, Anthony (25 November 2019). "BWW Review: THE LION, THE WITCH AND THE WARDROBE, Bridge Theatre". Broadway World . Retrieved 27 May 2022.
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Stage adaptations include a 1984 version staged at London's Westminster Theatre, produced by Vanessa Ford Productions. The play, adapted by Glyn Robbins, was directed by Richard Williams and designed by Marty Flood. [63] a b "The Chronicles of Narnia: The Lion, the Witch and the Wardrobe". American Film Institute . Retrieved 14 November 2016. Jules Tasca, Ted Drachman and Thomas Tierney collaborated on a musical adaptation published in 1986. [64] The story has been adapted three times for television. The first was a 10-part serial produced by ABC Weekend Television for ITV and broadcast in 1967. This version was adapted by Trevor Preston and directed by Helen Standage. [61] In 1979, an animated TV movie, [62] directed by Peanuts director Bill Melendez, was broadcast and won the first Emmy Award for Outstanding Animated Program. [ citation needed] A third television adaptation was produced in 1988 by the BBC using a combination of live actors, animatronic puppets, and animation. The 1988 adaptation was the first of a series of four Narnia adaptations over three seasons. The programme was nominated for an Emmy Award and won a BAFTA. [ citation needed] Theatre [ edit ] Davidson, Paul (December 7, 2001). "Move Over, Harry – A Real Fantasy Classic Is Coming to Town". IGN. Archived from the original on October 17, 2007 . Retrieved January 7, 2007.
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